The yarn was predominantly unmercerized cotton. The goal was to use yarns from dark to light so that the light warps would stand out. The colors were chosen as I wound the warp. Occasionally perle cotton was used if the color sequence required it and...
We are big tea lovers in the family – so this towel in Handwoven S/O 2003 caught my eye. I have used this draft numerous times over the years – in various colours and weights of fibre – for towels and as material for tray...
The hand-painted stripes were dyed using Procion MX Fiber Reactive dyes. I used a different color weft for each towel....
I wove this at 25 epi so it would fit on my workshop loom. If width had not been an issue, I would have woven it at 24 epi....
I like to choose a threading that can provide several patterns. Then I play…use one for the hem, another for the body, intersperse plain weave....
Linen warp bobbins had to be very wet to prevent loops in the selvedge. Tension was a problem throughout and I helped that by spraying the threads. The yarn seems too coarse to make a really nice towel....
Dark stripes always begin & end on harness 4 in any number of repeats. Light stripes always begin & end on harness 1 in any number of repeats. The color order is given in the accompanying chart. These yarns blend Sally Fox’ green and brown...
The section on the draft that is labeled to be omitted was included only to illustrate that I used a variety of colors for the last 8 threads of each 40-thread unit. I used unmercerized cotton for both warp and weft....
I did a straight tabby weave hem for approximately 1-1.5 inches at the beginning and end of the towel. I used a weft that was laceweight in order to have a hem that was flatter when I folded it over twice....
Used 5 stripes of my hand dyed 8/2 cotton (purple/blue, orange/pink, yellow, greens, red/orange) – each 3″ wide with 1/2″ wide stripes of purple, teal and blue of commercially dyed 8/2 cotton. The hems are plain weave (1 1/2″ long, turned and machine stitched). Crocheted...
This has become one of my favorite towel warps. It is draft #246, false damask check. I call it woven ribbons, as that is what it looks like to me. Although it uses two shuttles, it is actually a very rhythmic weave. On my ten-yard...
This was a warp and project that was my first exploration of a complex (for me) gamp. While a newer weaver, and always trying new things, I loved working on a twill sampler with friend and weaving mentor Jane Stafford via her Canadian Online Guild....
Really enjoyed Tom Knisely’s “Weaving on a Straight Eight” class taken during the 2017 MAFA conference. Wanted to weave something from his class booklet and chose the pattern ‘Ribs of Twill and Plain Weave’. It’s a nice easy piece to weave, and the treadling is...
I started out with Strickler #246, and as I was working with two different shades of red in the weft, I realized how much it reminded me of watermelon. I decided to add some lines in shades of green to represent the rind, along with...
This was my 2019 Cross Country Weavers sample. The assignment was “Stripes in Structure.”...
The color block design is based on Fibonacci relationships. The blue area is 8 inches wide (160 Ends). The lime green area is 13 inches wide (260 ends). In the weft, there is 3 inches of lime green, then a ¾ inch stripe of blue....
I wanted to use the ‘Netting A’ from Davison’s book page 95, but didn’t want to have to move heddles, so I used shafts 7 and 8 to substitute for shafts 2 and 3 when necessary. I also wanted a small selvedge and used shafts...
Towel is 8 repeats plus 18 ends to balance. Was 17.83″ in 15 dent reed. The warp had 418 ends of white 20/2 @ 30 EPI and 272 ends of 16/2 blue @ 60 EPI. From the manuscripts of J. P. Meyer and F. Walbert...
I followed one of HW patterns for exchange towel. For others on warp I randomized- using 3 colors, adding alternating stripes etc. Made towels more fun in my opinion....
According to the monograph, shadow weave is basically a balanced weave but the patterns are derived from twill. The warp arrangement and weft picks alternate light and dark and the greater contrast, the greater visual impact....
Block Twill is fun to play with, especially with colorways. Used only one color for warp, but is great fun in color stripes. I chose this pattern particularly to reacquaint myself with profile draft, though the draft attached is a full draft/draw down. Started and...
Towels are a bit on the wide side. Could have made them narrower and/or longer as they came out rather square. Treadling: Woven in plain weave for40 picks white, Turq/White, White/Turq 5 times, 14 picks white, Pink/White, White/Pink 5 times, 14 picks white, Orange/White, White/Orange...
I like towels as usable samples of structures that are new to me because even a failure will probably still dry dishes. Diversified Plain Weave (using Madelyn Van der Hoogt’s “new DPW threading and treadling” see Weaver’s Summer 1997) is a really fun structure I...
I modified this draft off of the towel created in the Vavstuga Basics class....
Using the idea that if six colors is good, 60 would be better, I chose yarns from the blues and greens in my 10/2 stash, included cotton I had hand dyed, and wound various stripes onto the warping board, trying to balance colors and vary...
I used cotton (unmercerized) for both warp and weft. Length shrinkage was close to 20% while width was a more expected 10%. I added a band woven using a tabby treadling at one end of the towel. An easy weave and the design is pleasantly...
I saw this color palette on Pinterest and chose 4 different colors for the warp. (WEBS: Black Forest, Burnt Sienna, Tobacco and Eggplant.) The width of the stripes and colors can be adjusted to whatever you should desire. Each color stripe was 34 end wide...
This was fun to weave because of the color way of stripes, but the weave structure would be lost if just a single color were used. The 20/2 linen was too fine to use with cottolin and 8/2 cotton....
Making the graphic square is more important than the actual PPI. If 19 PPI gives you a square graphic, then it’s good. It was fun to weave, my first attempt at using cottolin. The draft actually calls for 18 EPI. I only had a 10...
The color sequence (Chasing Rainbows) comes from The Weaver’s Weevil by Rebecca Fox and the warp yarn is 10/2 mercerized cotton from Lunatic Fringe (color spectrum). I used black for the weft and threaded on a straight draw....
It was fun to play with color. It was difficult to keep the Monk’s Belt pattern areas from drawing in....
I learned how to choose 2 block textures for a 4 shaft loom. This was woven on a warp from MAFA 2017 Rosalie Neilson’s class “Color & Design in Huck Lace Towels” I enjoyed weaving Huck for the first time, and enjoyed learning about motif,...
The warp alternates 2 threading blocks with 3 thread colors. This is a two shuttle weave and each block of the 2-block treadling uses two colors in the weft, and the color combination changes with each block change. All 3 of the warp colors are...
I really enjoyed weaving this towel and the fabric that was produced. As I used a very different color way than suggested, my towel looks not a lot like the gingham checks in the pattern. I hope whoever receives this towel enjoys it for many...
I did not put the different colors of the used threads, it’s up to you to use any color....
I was looking for some ideas to help me mix colors and found this draft in a Weavers Magazine. I ended up making 4 towels and used the various suggested treadling options to create alternate patterns and a sampler towel for future reference. Weaving this...
I simply played with random striping in both the warp and weft. While the pattern is technically from Gist Yarn, the point draft is from page 71 of Ann Dixon’s Handweaver’s Pattern Directory....
I did notice that my warp drew in more for the point twill than the plain weave. Next time I will use a temple for that part. Warp color is white. Weft colors- -plain weave is pale yellow, point twill chevron is orange and point...
I somehow reversed the blocks on both edges of the towel, but I like the way it turned out....
I used what color yarns I had on hand, the numbers on the warp order were for my purpose to keep track of my color selection that I wound on card while winding my warp....
I used Mastering Weave Structures by Sharon Alderman, which is a great book to brush up on your structures…. Had fun weaving it....
This was my first project that I started and completed all on my own after taking several weaving classes. I followed the warp color and threading order in the kit (from Halcyon Yarn), but quickly changed up the weft color order and treadling after weaving...
I followed the pattern as published, except for these changes: 1. I used 22/2 Cottolin for the weft instead of 8/2 Cotton 2. In order to comply with the Towel Exchange rules, I removed the outer 32 threads on each side of the towel, a...
This draft is a standard basic twill with plain weave borders at each end. The twill combined with color sequence for the warp was devised by Beth Willson, Purcellville, VA. I have woven a number of towels using this draft, changing the color sequencing in...
Woven on rigid heddle loom, with pickup stick used as third shaft. I was exploring textures available on a rigid heddle loom and tried to develop a threading and treading to get a Bumberet texture. This turned out to be almost impossible because Bumberet depends...
Pattern was a plain weave towel with pick up stick details. I used organic colorgrown cotton. Light green/dark green. The colors will show the more it is washed and used....
This was done at a somewhat loose sett in the workshop as an experiment. I really liked the soft hand. The workshop towel was too narrow for this exchange so I made another. I hope you like it. Color and weave pattern was 2-1 dark-light...
The colors and pattern I used were based on a towel that I saw at Red Stone Glenn last year. The pattern is from Jane Patrick’s _The Weaver’s Idea Book – Creative Cloth on A Rigid Heddle Loom_. I have used this pattern many times...
Detailed instructions for doing the mock damask are in the 1994 May/June Handwoven magazine. Take your time on pick-up work. Wrong threads can occasionally get caught resulting in very long floats and it’s difficult un-weaving pick-up work . The instruction don’t indicate it but you...
Picked 3 pairs of coordinating colors and used twice in warp by reversing color order within each pair of blocks. Wove off by rotating through all 6 colors of warp and also varying sizes of blocks to make each towel in the warp unique....
This twill is threaded and treadled based on draft on Heinrich Woolhever’s 1821 Pattern Books Draft. It represents further use of a pattern I chose to explore for the Early Weaving Books and Manuscripts Group of Complex Weavers. The cheerful stripes are my addition....
Page 31 of the BGH book shows a skeleton drawdown of Wishing Well for a bookmark that is significantly different from the Wishing Well draft on page 97 (the book suggests it may be due to a treadling variation). Using the skeleton drawdown, I determined...
A 4-shaft point twill sounds boring but when you add warp stripes of tan, red, green and bright yellow separated by white stripes edged by a single navy thread there is hope. Add an interesting tie-up and treadling to create an interesting texture you have...
Tip: Use a temple. Note that the draft shows only four stripes of the 16 I used in the towel. I basically flopped the draft several times. This resulted in two wide green stripes on the sides and one wide purple stripe in the center....
I recorded this draft in iWeaveIt quite a while ago as Simplified Damask from Marguerite Davison’s Handweavers Pattern Book. However, this is not that draft so I now have no idea where the pattern came from. I repeated the pattern 8 times and added 28...
I am a beginner weaver and this is my first project. The cotton thread I used tangled easily and I struggled with setting the warp. And then making sure it was not twisted or mis-threaded. There are a few (many) mistakes....
