MAFA2025-3290
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This wove up very easily. I like both the straight treadling, and the reversing. I used organic cotton, natural, for the light weft. I find it softer than regular unmercerized, and more linty to weave. Perhaps more absorbent....
Towel uses 2 variations of treadling with a traditional M & W twill pattern. Vary treadling and colors as desired. Floating selvedges are incorporated. Hems are woven with plain weave, folded and machine stitched. WIF file shows 2 options for colors and treadling. There are...
This Handweaving.net draft was enhanced with the use of color warp stripes and can then be woven in a number of complementary weft colors. I found some errors in the original draft which I corrected and changed the widths of the straight twill, braided twill...
Wind on 500 ends: 496 for the threading and 2 doubled floating selvedges (which I like for strength in a workhorse handwoven) Be sure to keep a record of your color order for symmetry. I found it best to create threading blocks divisible by 4...
Delightful Weave. Fantastic fabric. Total number of ends: 498. Increased EPI at selvedges. Serged and Hemmed....
Scottish Meadow Towels I created this pattern while watching the series Outlander. It’s a very easy draft to weave and goes very quickly. Warp Threads: 282 (7 pattern repeats + 2 selvedge threads)) Warp End Color Sequence: Maysville Navy Blue 20 ends + 1 floating...
I’m a beginner, so while the pattern called for 20 ppi, I was unable to beat that close. So I adjusted the pattern’s weft instructions and used 16ppi. I wove this on a 4 shaft table loom....
This towel is 3/1 twill stripes of hand dyed yarn alternating with plain weave stripes. The plain weave stripes are sett at 20 epi and threaded straight draw on shafts 1-4. The twill stripes are sett at 30 epi and threaded straight draw on shafts...
The warp was 359 ends.The hem is hand sewn with a polyester sewing thread....
This was from a warp that I put on to make thank you towels for my neighbor. She picked colors outside of my comfort zone, so my brief was to make towels that I liked out of colors that weren’t my favorite. I was pleased...
6 repeats on the threading. Outside 2 are the floating selvage. Weft: 1.5″ border, Edge 13 repeats of middle section Edge 1.5″ border. Part of a 4 Season Towel kit by Lunatic Fridge Yarns by Mary Berent...
This was the first project I wove on my first loom, an older 12-shaft Macomber that took me over 9 months to refurbish. The towels turned out better than I had hoped, so of course I put them away “for posterity”. I couldn’t bear to...
On the .wif, the first 14 thread is one edge of the towel and the other edge is the last 32 threads. Repeat the 40 threads in the middle as often as needed for the towel you are weaving. I overestimated the shrinkage of my...
410 warp ends total. 408 for pattern, plus one extra at each selvedge. Draft adapted for cotton instead of linen/cotolin. Woven using picks of sewing thread at each end to create fold lines for the hem. Sewing thread was removed prior to turning and sewing...
I made a few small changes to the draft (especially the tie-up, so I could walk the treadling) but none of my changes alter the result in any significant way and credit for this design belongs fully with Ms. Hall. This towel used 368 ends...
I like to choose a threading that can provide several patterns. Then I play…use one for the hem, another for the body, intersperse plain weave....
Dark stripes always begin & end on harness 4 in any number of repeats. Light stripes always begin & end on harness 1 in any number of repeats. The color order is given in the accompanying chart. These yarns blend Sally Fox’ green and brown...
I wove this at 25 epi so it would fit on my workshop loom. If width had not been an issue, I would have woven it at 24 epi....
The hand-painted stripes were dyed using Procion MX Fiber Reactive dyes. I used a different color weft for each towel....
The yarn was predominantly unmercerized cotton. The goal was to use yarns from dark to light so that the light warps would stand out. The colors were chosen as I wound the warp. Occasionally perle cotton was used if the color sequence required it and...
This has become one of my favorite towel warps. It is draft #246, false damask check. I call it woven ribbons, as that is what it looks like to me. Although it uses two shuttles, it is actually a very rhythmic weave. On my ten-yard...
I did a straight tabby weave hem for approximately 1-1.5 inches at the beginning and end of the towel. I used a weft that was laceweight in order to have a hem that was flatter when I folded it over twice....
Used 5 stripes of my hand dyed 8/2 cotton (purple/blue, orange/pink, yellow, greens, red/orange) – each 3″ wide with 1/2″ wide stripes of purple, teal and blue of commercially dyed 8/2 cotton. The hems are plain weave (1 1/2″ long, turned and machine stitched). Crocheted...
The section on the draft that is labeled to be omitted was included only to illustrate that I used a variety of colors for the last 8 threads of each 40-thread unit. I used unmercerized cotton for both warp and weft....
This was a warp and project that was my first exploration of a complex (for me) gamp. While a newer weaver, and always trying new things, I loved working on a twill sampler with friend and weaving mentor Jane Stafford via her Canadian Online Guild....
I started out with Strickler #246, and as I was working with two different shades of red in the weft, I realized how much it reminded me of watermelon. I decided to add some lines in shades of green to represent the rind, along with...
Really enjoyed Tom Knisely’s “Weaving on a Straight Eight” class taken during the 2017 MAFA conference. Wanted to weave something from his class booklet and chose the pattern ‘Ribs of Twill and Plain Weave’. It’s a nice easy piece to weave, and the treadling is...
Hand-dyed warp, dyed in the skein using fiber-reactive dyes, undyed weft. Woven on a new-to-me Bexell Cranbrook countermarche loom....
This design was inspired by 200 Patterns for Multiple Harness Looms by Russell E. Groff (1979). Calculated as follows: Weaving width 20″ EPI: 20 400 warp ends, but I calculated 405 warp ends to balance the design. I added 2 floating selvages at each side....
I selected this pattern because I liked the geometry. I learned more about block patterns and how they are constructed. Strickler’s book notes that this draft, woven by Barbara McClanathan, is a 2 block twill adapted from Väv Magazinet, 1984, Nr.4, pages 20-21. Here are...
This towel was washed in the machine, dried in the dryer, ironed with steam and hand hemmed with cotton thread. Other notes on making the towel are included in the WIF. I might sett it a tad closer next time—22-24 epi. It offers a great...
This towel was woven on a long warp of 496 threads in a 2 block design. Each block uses 8 shafts in a straight threading. I used several tie-ups to vary the look of each towel, and even included a tabby with one or two...
This is my expression of pansies viewed through a window. Used Kathryn Weber ‘s Blazing Shuttles for warp with white cotton and purple accents for warp. Structure was plainweave with two overshot accents in the weft—one narrow purple and one wider of white. Floating selvages...
I used a Josephine Estes miniature, “Cambridge Beauty” (www2.cs.arizona.edu/patterns/weaving/monographs/eje_min1.pdf), to design this towel. I added some striped segments that altered the miniature repeats to create the structured effect I was seeking in the towel. 735 ends plus 2 FS each side. I played with the...
A temple is most useful to prevent draw-in. You can make a coordinated set of towels on the same warp, having fun varying weft colors and block sizes. 480 ends Sett 2 per dent in a 12-dent reed Wet finished Hemmed, hand-stitched Love this cottolin!...
Warp is 8/2 cotton dyed by Kathrin Weber of Blazing Shuttles (for wider stripes) and 8/2 Maurice Brassard (for narrower stripes). Weft is 8/2 variegated purchased from Webs many years ago. Hems are 10/2 mercerized cotton from Lunatic Fringe. Lots of colors! The “Friendship Towels”...
Note that the heddle count is significantly greater for harnesses 2 and 3 and minimal for harnesses 1 and 4....
This is the oldest, simplest, and most traditional Scottish tartan. It is variously known as Shepherd’s Check, Houndstooth, or Northumberland (Northumbria) tartan, as that is the area where it originated. I can just imagine those early medieval weavers deciding to add a little variety to...
The colors I used were blue, gray, red, and turquoise. This was a fun project to weave. I also added a hang tag woven with the same colors....
I used 422 ends including floating selvages. The warp is Chocolate Brown by Spartan Dyers from Cotton Clouds. The weft is turquoise by Maurice Brassard from The Woolery. My draft is #355 in Strickler’s A Weaver’s Book of Eight-Shaft Patterns. This is a plaited twill...
I was influenced by the piece Vavstuga had for Bockens Egyptian 8/2 cotton on their website (store.vavstuga.com/product/yarn-bock-cot-8-2-dyed.html). Their current piece is actually a little different, as the one that influenced me had some red accent yarns in warp and weft. I liked the combination of...
I was introduced to this pattern, “Checked Houndstooth,” in a Scandinavian Towel class taught by Melissa Weaver Dunning. This traditional design can be found in Simple Weaves by Birgitta Bengtsson Bjork & Tina Ingell, p. 92. Warp is wound 36 Periwinkle, 4 Marine, 4 White,...
I used the napkin patterns in the Handwoven article and adapted them. I used the treadling for towel 1. I began and ended the towel with 1 ½ inches of 10/2 weft to make the hems a little less chunky. 20″ in reed; 30″ long....
Twill blocks in 4 warp colors (red, black, grey, white) with block changes not coinciding with color changes. Blocks were woven as 3/1 and 1/3 twill rotating the same four colors as the warp. Color changes were made every 16 picks, alternating which side the...
My towel has a combination of twill treadling with narrow strips of basketweave to outline the weft color changes. This was a simple project with lots of opportunities for different outcomes by changing tie-ups and treadling....
I always loved the look of turned twill and Jane Stafford renewed my interest with her lesson in her Online Guild. The colors in the towel were inspired from a clothing tag that I’ve held onto for years. I also love purple and green and...
The treadling was adjusted to allow squared blocks, with 8/2 Brassard cotton used for warp and weft. After being washed, the texture is nubby and more pronounced. The weaving width in the reed was 20.75″. I like the look and enjoy the process of hemming...
Traditional twill threadings like the Ms & Ws I used lend themselves to treadling variations. This towel includes straight, point, as-drawn-in, and several variations I “unvented” while playing around with Fiberworks. In the MAFA Samples Database, there is a second .wif file showing all the...
The loom was warped for a total of four towels. A total of 434 ends at 20 epi for the warp and 20 ppi for the weft. Allowance of two inches at the top and bottom of each towel. Using Fibonacci as my theme in...
I used several colors of Bluegrass Mills’ 6/2 unmercerized cotton yarn for my towel. Plain weave for turned hem, sewn by hand. I love this weave, and have used it several times for towels. I varied the stripes in warp and weft for more visual...
It’s been several years since I wove this towel and I have no memory of where it came from. I think it came from a breast cancer awareness publication....
This towel is a design to combine waffle and tabby. I used five shafts for the waffle areas and three shafts for the tabby areas. For the waffle areas I sett the ends at 32 epi, tighter than the tabby areas of 24 epi. I...
This towel represents the many towels I have woven on the straight 8-shaft twill threading using many tie-up and treadling variations in preparation for the MAFA class I am teaching. The threading offers so many options for weaving with the 8 shafts or 4 shafts...
Name draft created in Fiberworks. Name for threading is: PatCapogrossi. 487 ends. 2 inches of plain weave at each end. Machine washed and dried. Yarns are Lunatic Fringe perle cotton....
I like weaving turned twills and find that towels woven with the design have a nice texture as well as visual pattern. I had a partial cone of variegated 8/2 cotton that would not be enough for a full towel, so I started placing stripes...
This draft is from a terrific issue of Heddlecraft titled “Wicked Good Weaving—Squares and Grids.” This particular draft, in what Robyn Spady terms “x” style, was a lot of fun to weave. I was really drawn to the “X” motif between the tables. Please note...
According to the monograph, shadow weave is basically a balanced weave but the patterns are derived from twill. The warp arrangement and weft picks alternate light and dark and the greater contrast, the greater visual impact....
I wanted to use the ‘Netting A’ from Davison’s book page 95, but didn’t want to have to move heddles, so I used shafts 7 and 8 to substitute for shafts 2 and 3 when necessary. I also wanted a small selvedge and used shafts...
Block Twill is fun to play with, especially with colorways. Used only one color for warp, but is great fun in color stripes. I chose this pattern particularly to reacquaint myself with profile draft, though the draft attached is a full draft/draw down. Started and...
I modified this draft off of the towel created in the Vavstuga Basics class....
I saw this color palette on Pinterest and chose 4 different colors for the warp. (WEBS: Black Forest, Burnt Sienna, Tobacco and Eggplant.) The width of the stripes and colors can be adjusted to whatever you should desire. Each color stripe was 34 end wide...
The color sequence (Chasing Rainbows) comes from The Weaver’s Weevil by Rebecca Fox and the warp yarn is 10/2 mercerized cotton from Lunatic Fringe (color spectrum). I used black for the weft and threaded on a straight draw....
I was looking for some ideas to help me mix colors and found this draft in a Weavers Magazine. I ended up making 4 towels and used the various suggested treadling options to create alternate patterns and a sampler towel for future reference. Weaving this...
I really enjoyed weaving this towel and the fabric that was produced. As I used a very different color way than suggested, my towel looks not a lot like the gingham checks in the pattern. I hope whoever receives this towel enjoys it for many...
A 4-shaft point twill sounds boring but when you add warp stripes of tan, red, green and bright yellow separated by white stripes edged by a single navy thread there is hope. Add an interesting tie-up and treadling to create an interesting texture you have...
This draft is a standard basic twill with plain weave borders at each end. The twill combined with color sequence for the warp was devised by Beth Willson, Purcellville, VA. I have woven a number of towels using this draft, changing the color sequencing in...
I followed the pattern as published, except for these changes: 1. I used 22/2 Cottolin for the weft instead of 8/2 Cotton 2. In order to comply with the Towel Exchange rules, I removed the outer 32 threads on each side of the towel, a...
This was my first project that I started and completed all on my own after taking several weaving classes. I followed the warp color and threading order in the kit (from Halcyon Yarn), but quickly changed up the weft color order and treadling after weaving...
Detailed instructions for doing the mock damask are in the 1994 May/June Handwoven magazine. Take your time on pick-up work. Wrong threads can occasionally get caught resulting in very long floats and it’s difficult un-weaving pick-up work . The instruction don’t indicate it but you...
This twill is threaded and treadled based on draft on Heinrich Woolhever’s 1821 Pattern Books Draft. It represents further use of a pattern I chose to explore for the Early Weaving Books and Manuscripts Group of Complex Weavers. The cheerful stripes are my addition....
Page 31 of the BGH book shows a skeleton drawdown of Wishing Well for a bookmark that is significantly different from the Wishing Well draft on page 97 (the book suggests it may be due to a treadling variation). Using the skeleton drawdown, I determined...
I recorded this draft in iWeaveIt quite a while ago as Simplified Damask from Marguerite Davison’s Handweavers Pattern Book. However, this is not that draft so I now have no idea where the pattern came from. I repeated the pattern 8 times and added 28...
Woven on rigid heddle loom, with pickup stick used as third shaft. I was exploring textures available on a rigid heddle loom and tried to develop a threading and treading to get a Bumberet texture. This turned out to be almost impossible because Bumberet depends...